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  1.  88
    Music to the inner ears: Exploring individual differences in musical imagery.Roger E. Beaty, Chris J. Burgin, Emily C. Nusbaum, Thomas R. Kwapil, Donald A. Hodges & Paul J. Silvia - 2013 - Consciousness and Cognition 22 (4):1163-1173.
    In two studies, we explored the frequency and phenomenology of musical imagery. Study 1 used retrospective reports of musical imagery to assess the contribution of individual differences to imagery characteristics. Study 2 used an experience sampling design to assess the phenomenology of musical imagery over the course of one week in a sample of musicians and non-musicians. Both studies found episodes of musical imagery to be common and positive: people rarely wanted such experiences to end and often heard music that (...)
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  2. Psychophysiological measures.Donald A. Hodges - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
  3. Bodily responses to music.Donald A. Hodges - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
     
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  4.  6
    A concise survey of music philosophy.Donald A. Hodges - 2016 - Abingdon, Oxon: Routledge.
    Music as an Imitation of Harmonious Balance.
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  5.  6
    B ODILY responses are among the core, common experiences of music. To observe people at a rock concert or watching a marching band, is to observe heads nodding, feet tapping.Donald A. Hodges - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
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